Category Archives: Art

La Marseillaise Casablanca

Released in January 1943, when the most important battle of the war, the battle of Stalingrad, was still raging, with Normandy still a year and a half in the future, and the tide not yet turned against Hitler’s war machine. Most of Europe and North Africa was under the jackboot of Nazi tyranny. Many of the actors in the scene were actual refugees who had fled from the Nazis, so the emotions were real. This celluloid moment may capture the spirit of hope and resistance better than any other. It is a true testament to the power of movies.

In real life Jean Moulin, murdered by the Gestapo in 1943, became the symbol of the French Resistance.

 

Phil Ochs – A Buckeye Remembered

Here’s to the great Phil Ochs on what would have been his 76th birthday (December 19). One of the most influential singers of his time, during the Civil Rights and Free Speech Movements and the Vietnam war, he was also an Ohio State journalism student and worked for the school newspaper, the Lantern. At OSU he met his political mentor, Jim Glover, who introduced him to the music of Pete Seeger, Woody Guthrie and the Weavers. Odd (sad) that the university remains ambivalent/silent about his legacy…

“A good song with a message can a bring a point more deeply than a thousand rallies” – Phil Ochs

Malle, Moreau and Miles – Elevator to Modernity

This masterful scene from Louis Malle’s Elevator to the Gallows (1958) is a quintessential example of 20th century post-war modernism. It’s all here– the near perfect intersection of film (a noir at the leading edge of the French New Wave), music (the atmospheric jazz score was improvised by Miles Davis in a single, all-night recording session), the electrified urban landscape (lit by neon, headlights, arcades and storefront displays), fashion (notice the various representations as Moreau walks in front of the arcade) and finally, dripping sensuality (Jeanne Moreau and Miles Davis fused in sexy melancholia ultimately climaxing in a downpour of rain and thunder). What cool is made of….

Have a martini….

The Man With The Movie Camera (1929)

Frequently included in top ten lists of greatest films of all-time. Directed by Soviet director Dziga Vertov, the film is famous for its range of cinematic techniques — double exposure, fast motion, slow motion, freeze frames, jump cuts, split screens, close-ups, tracking shots, footage played backwards, stop motion animations — many of which appear here first. In 2014 Sight and Sound named it the top documentary film ever made. Watch it here: