Malle, Moreau and Miles – Elevator to Modernity

This masterful scene from Louis Malle’s Elevator to the Gallows (1958) is a quintessential example of 20th century post-war modernism. It’s all here– the near perfect intersection of film (a noir at the leading edge of the French New Wave), music (the atmospheric jazz score was improvised by Miles Davis in a single, all-night recording session), the electrified urban landscape (lit by neon, headlights, arcades and storefront displays), fashion (notice the various representations as Moreau walks in front of the arcade) and finally, dripping sensuality (Jeanne Moreau and Miles Davis fused in sexy melancholia ultimately climaxing in a downpour of rain and thunder). What cool is made of….

Have a martini….

The Century Of The Self (BBC)

What do Sigmund Freud, Joseph Goebbels and Betty Crocker have in common? Ever wonder why anyone would choose to buy a Rolex when a Timex keeps time just as well? Hint: some smart people figured out how to tap into our unconscious fears and desires and over the past century we’ve been the unwitting subjects of a wildly successful mass experiment in consumer manipulation and social control. Adam Curtis of the BBC reveals who they were and how they did it…

On Every Box of Cake Mix, Evidence of Freud’s Theories (NY Times Review)

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Groucho Marx On “How To Be A Spy”

Groucho parodies the intelligence of the intelligence services in the April Fool’s Day 1946 edition of Life magazine. Hail, Hail Freedonia!… Click the picture to check it out:

Firesign_Marx_Lennon_7320

 

 

Photo Copyright Firesign Theatre 1969

 

Note – there is also a fascinating article about the Fuller House in Wichita Kansas, Buckminster Fuller’s proposed solution to the housing shortage of the immediate post-war years…