Bad week for the neocons in the kleptocracy… first the Russians screw up their plans in Venezuela. Then the North Koreans, who haven’t had this much fun in years, fire up the “don’t forget about us” flares. Enjoy this Kabuki theatre while it lasts because I expect these provocations will dwindle as we get closer to the election. After all, they wouldn’t want to endanger the continuation of the patsies (especially after spending so much effort getting them elected). To use a sports metaphor– remember the Globetrotters? There is a reason they played against a fake team (Washington Generals) instead of the Boston Celtics… Well, ok, Celtics is too much credit to give to the Dems. Let’s go with Sacramento Kings.
Fox News is always good for a laugh. Especially the TV generals– “Russians have no business in our back yard, so we will continue to shoot up their back yard, only worse.” You can’t make this stuff up.
Posted in Activism, Asia, Politics, S. America, South America
Tagged coup, kleptocracy, maduro, missiles, neocons, north korea, putin, venezuela
Elegy to the Spanish Republic No. 110 by Robert Motherwell, 1971, Solomon R. Guggenheim Museum
Robert Motherwell’s Elegies to the Spanish Republic has been interpreted as the artist’s on-going personal expression of his belief “that a terrible death happened that should not be forgotten.” Motherwell was referring to the events of the Spanish Civil War (1936-1939). The savage nature of that war—more than 700,000 killed, including the mass-executions of thousands of civilians—roused a legion of artists to action. Pablo Picasso’s famous painting Guernica (1937) expresses his outrage over the unfair nature of the conflict, specifically the bombing of defenseless civilians from the sky by the Generalissimo’s Nazi allies. That painting has become the enduring symbol of the war.
For Robert Motherwell, the war became a metaphor for all injustice. Elegies to the Spanish Republic (over 100 paintings completed between 1948 and 1967) is a commemoration of human courage in the face of terror and suffering. He saw the heroism of the defenders of the elected government in stark contrast to the duplicitous dealings of the fascist alliance that ultimately prevailed. To portray this visually Motherwell’s recurring theme is a sublime contemplation of life and death, equating to light and dark. The abstract concept common to the Elegies—an alternating pattern of oval shapes slotted between columnar forms—has been said to represent the dialectical nature of life itself, expressed through the juxtaposition of black against white—the colors of death and life. The Republic is evoked as a bull (the symbol of Spain), once strong and radiant, heartbreakingly butchered by Franco, now only a dark memory.
The match between FC Barcelona and UD Las Palmas was played with empty stands at Camp Nou in protest of the Spanish government’s actions in Catalonia. (Alex Caparros / Getty Images)
Barcelona plays Las Palmas in an empty stadium due to the vote today for Catalonian independence from Spain. Barcelona is in Catalonia. Las Palmas is in the Canary Islands. In the Spanish Civil War (1936-1939) one of the great fears of the Nationalists was that the Republican government would allow Catalonia to split from Spain. When the Nationalists launched the war to overthrow the elected Republican government their top general, Francisco Franco, was flown from the Canary Islands to lead the insurgency. In the decades that followed the Nationalist victory, a victory aided and abetted by Hitler and Mussolini, Franco brutalized the Catalonians. One of the only avenues left for them to get back at him, and hold on to their independence, was through their beloved soccer club– Barcelona. Today Las Palmas wore the Spanish national flag on their uniforms to protest the vote. History rhymes in mysterious ways. Barcelona won the game! We’ll see what happens with the vote.
Posted in Essays, Europe, History, Politics, Spanish Civil War, Sports
Tagged barcelona, catalonia, Franco, independence vote, las palmas, Spain
“But these organs, at whose head was the state power, had in the course of time, in pursuance of their own special interests, transformed themselves from the servants of society into the masters of society, as can be seen, for example, not only in the hereditary monarchy, but equally also in the democratic republic. Nowhere do “politicians” form a more separate, powerful section of the nation than in North America. There, each of the two great parties which alternately succeed each other in power is itself in turn controlled by people who make a business of politics, who speculate on seats in the legislative assemblies of the Union as well as of the separate states, or who make a living by carrying on agitation for their party and on its victory are rewarded with positions…”
“It is well known that the Americans have been striving for 30 years to shake off this yoke, which has become intolerable, and that in spite of all they can do they continue to sink ever deeper in this swamp of corruption. It is precisely in America that we see best how there takes place this process of the state power making itself independent in relation to society, whose mere instrument it was originally intended to be. Here there exists no dynasty, no nobility, no standing army, beyond the few men keeping watch on the Indians, no bureaucracy with permanent posts or the right to pensions. and nevertheless we find here two great gangs of political speculators, who alternately take possession of the state power and exploit it by the most corrupt means and for the most corrupt ends – and the nation is powerless against these two great cartels of politicians, who are ostensibly its servants, but in reality exploit and plunder it.”
Frederick Engels March 18, 1891 (20th Anniversary of the Paris Commune)
Some things never change….